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on the scaffold

By Catherine Jones on Nov 6, 07 08:08 AM

I popped into the Motor Museum recording studio in Lark Lane yesterday to catch up with The Scaffold.
The cult 60s group has reformed to take part in the Number One Project which is backed by the ECHO.
It was the first time Roger McGough, John Gorman and Mike McCartney (or should that be McGear? Or, according to McCartney, it was almost McFab. How 60s!) had been in a recording studio for 33 years.
Times change. They used to record at Abbey Road and their backing singers included a speccy lad called Reg Dwight.
But the joy of recording music doesn't, and the product of their afternoon in front of the mic can be heard on the Number One Project album out in January.

The three of them, admittedly a little older but hopefully no wiser, were in good form as we sat on a sofa and chatted about the project.
Roger McGough, who was only in the city last month for the Liverpool Saga reading at St George's Hall, clutched a hand-written copy of his re-worked lyrics to The Lightning Seeds' Three Lions - now entitled Three Shirts on a Line (Everton (McGough), Liverpool (Gorman) and Tranmere (McCartney)) and with the chorus "it's coming home, culture's coming home".
There were jests about the songs they could have chosen. Gorman had a fancy to do a Scaffold version of Lady Madonna, or You'll Never Walk Alone. I suspect Evertonian McGough and Rovers fan McCartney would have been non too chuffed.
There was also speculation about who might record the Scaffold's number one Lily the Pink.
McGough hoped it might be The Zutons.
Gorman said he thought Ringo should do it.
Mike McCartney, who had been in the studio, joined us to talk about the old days and about the Number One Project concert at the ECHO Arena on January 19.
He described how the band took part in the Royal Albert Hall's centenary concert almost 40 years ago which is when they saw their first big screen which now seem to have become ubiquitous at major gigs.
McCartney also revealed how it was the first time they had been in a car with electric windows - George Harrison's to be exact.
A lot of water has gone under the bridge since then, and a lot of cars with electric windows have rolled off the production line.
And here we are on the brink of 2008, sitting in a suburban studios with a poet, a producer and a photographer, a blue, a red and a white.

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1 Comments

Fred Brown said:

picky point, but being from the 60's myself, I know that McGear comes from things actually being 'the gear' obviously meaning good - no idea how it came to be that, though

Fred

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